The Master is an aspiring playwright, driven to spurn his profession when zealously atheistic theatre-administrators and critics dismiss his only play – concerning Pontius Pilate, and the condemnation of Jesus – as reactionary, pro-religious propaganda. Nevertheless, The Master’s devoted mistress, Margarita, believes in the greatness of his dramatic work, and to salvage it (and their love), she attends a strange festive gathering. Amongst the guests at this party are some of Hell’s most notorious residents … because its host is Satan himself, who appears in the form of the sinister – and supernaturally powerful – Professor Woland. And it is with him that Margarita must strike a deal, if fulfilment – albeit in the afterlife – is to be achieved.

“…Centurians, a drunken bitching session between the theatre manager and the critics, The Devil and his assistants: a lipstick loving, camp sociopath, a characterful black cat and a scantily clad, sexually charged female. - the flirtation and chemistry between The Master and Margarita is strong with stand out performances from the two leads.” (Time Out)