Sonic tapestries from Eartheater and hypnotic visual pouring over hypnotic beats from Adrena Adrtena , this will be a Sunday night journey.

“All artistic gestures feel connected in her world: music, dance, poetry, film, stripped of conceptual baggage and made accessible, full of feeling and expression built on a pounding intellect." – The Wire

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions. Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells. Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. She confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting.

“Eartheater pokes critically and poetically at societal systems, social expectations, and sonic conventions.” – The FADER

Adrena Adrena is a collaboration between visual artist Daisy Dickinson and drummer E-Da Kazuhisa, previously the drummer of the Japanese noise band Boredoms (WEA Japan, Reprise/Warner Brothers) and currently British electronic/post-rock band Seefeel (Rephlex, Warp Records). The duo cut a raw blend of drums, noise and organic visual work, featuring in their performances an eight foot white sphere that hangs above Kazuhisa’s drum kit and which Dickinson maps videos on to; her visuals were described by Fluid Radio as ‘cosmological and transcendental, drawing attention to the wonder of the earth and our sensuality on it’.